{"id":1917,"date":"2013-09-04T14:03:47","date_gmt":"2013-09-04T19:03:47","guid":{"rendered":"http:\/\/www.circo212.org.mx\/circo2\/?p=1917"},"modified":"2013-09-04T14:04:43","modified_gmt":"2013-09-04T19:04:43","slug":"realizacion-avanzada-para-principantes-temario","status":"publish","type":"post","link":"https:\/\/circo212.org.mx\/circo2\/?p=1917","title":{"rendered":"Realizaci\u00f3n Avanzada para Principantes (Temario)"},"content":{"rendered":"<p align=\"JUSTIFY\"><span style=\"font-family: 'Times New Roman', serif;\">1- El fuera de campo. Lo simult\u00e1neo en la reacci\u00f3n y la acci\u00f3n.<\/span><\/p>\n<p align=\"JUSTIFY\">\u00a0<span style=\"font-family: 'Times New Roman', serif;\">2- La mirada como expectativa de subjetividad y el impacto de la objetividad como abanico de posibilidades.<\/span><\/p>\n<p align=\"JUSTIFY\">\u00a0<span style=\"font-family: 'Times New Roman', serif;\">3- La estructura del <i>flashback<\/i> sin volver al origen.<\/span><\/p>\n<p align=\"JUSTIFY\">\u00a0<span style=\"font-family: 'Times New Roman', serif;\">4- Edici\u00f3n. El no disfraz del corte como elemento dram\u00e1tico.<\/span><\/p>\n<p align=\"JUSTIFY\">\u00a0<span style=\"font-family: 'Times New Roman', serif;\">5- La elipsis como ritmo. La evidencia de la supresi\u00f3n del instante.<\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Times New Roman', serif;\">6- Independencia de la imagen y el sonido. Sus roces circunstanciales en la generaci\u00f3n de sentidos.<\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Times New Roman', serif;\">7- El eje de c\u00e1mara como herramienta no coercitiva.<\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Times New Roman', serif;\">8- La po\u00e9tica de lo m\u00ednimo. Narraci\u00f3n de un evento a partir de sus consecuencias.<\/span><\/p>\n<p align=\"JUSTIFY\"><span style=\"font-family: 'Times New Roman', serif;\">9- Lo er\u00f3tico y lo pornogr\u00e1fico. Permitir imaginar.<\/span><\/p>\n<p align=\"JUSTIFY\">INSCRIPCIONES:<\/p>\n<p align=\"JUSTIFY\">gaby@circo212.org.mx<\/p>\n<p align=\"JUSTIFY\">52 56 31 67<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1- El fuera de campo. Lo simult\u00e1neo en la reacci\u00f3n y la acci\u00f3n. \u00a02- La mirada como expectativa de subjetividad y el impacto de la objetividad como abanico de posibilidades. \u00a03- La estructura del flashback sin volver al origen. \u00a04- Edici\u00f3n. El no disfraz del corte como elemento dram\u00e1tico. \u00a05- La elipsis como ritmo. La [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[],"class_list":["post-1917","post","type-post","status-publish","format-standard","hentry","category-ciclos-de-cine"],"jetpack_publicize_connections":[],"aioseo_notices":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p3e33F-uV","_links":{"self":[{"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/posts\/1917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1917"}],"version-history":[{"count":2,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/posts\/1917\/revisions"}],"predecessor-version":[{"id":1920,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=\/wp\/v2\/posts\/1917\/revisions\/1920"}],"wp:attachment":[{"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1917"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1917"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/circo212.org.mx\/circo2\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}